Mexico Barbaro

Two things to remember before I get into the meat of this review: I enjoy international horror more almost as a rule above American horror, and I love folkloric horror with a passion-and have a much wider definition of what falls into that subgenre than I think a lot of reviewers are willing to work with.

I will admittedly give folkloric horror that plays with themes from outside the horror mainstream a lot more give than I do horror with more common themes, just for showing me something. New here is being used loosely, I’m just tired of seeing the same three movies being made in American horror over and over again, just with a new cast. But I digress.

Mexico Barbaro plays with a lot of themes and images, some of them probably more familiar than other. Ranging from ghosts into echoes of folk saints, all eight segments rework traditional folk stories. These are not just ‘dark’ fairy tales though, and this is -definitely-a horror movie, with a fair amount of violence, gore, bodily injury, and sexual content. However…I almost love it for that. I love seeing world folklore get down and dirty with its shadow side [not to sound like a cultural tourist. I’m just tired of Little Red Riding Hood being used as an example of how ‘dark’ folklore was and is.]

Is it a ‘good’ project thought? If you like projects like V/H/S you’ll like this film. But it has the same weaknesses-some of the segments feel forced, some are rushed, some are a little vague. Some feel like a study in gore with a slight attempt at a theme [I’m not a fan of the closing segment]. But it’s fun, in the way that a slasher can be fun. And some of the images linger impressively. So it’s not an instant classic, but it’s fun for the gore hounds.

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