I finally watched Jaws last night.
So this is a movie that has -haunted- me since early childhood, like, under the age of 10. I had an absolutely ROARING shark phobia stemming straight from this movie until about…five? six? Years ago where I realized I could handle blatantly fake sharks- shark printed flannel and gummi sharks ok, Shark Week absolutely not ok.
Eventually I got to where I could handle realistic sharks and in a fit of a mood last night I decided to see if I could find Jaws on a streaming site somewhere. Tubi has it, so it has ads. This is actually a good thing because between the fact I was still on shift and therefore ‘watch’ is a strong term, I sort of phase in and out of attention of whatever media is on in the background to mimic office noise and the ads it wouldn’t just be two hours of the shark that broke me.
It still scares me. That movie still bothers me.
I could get through it and if this were last night you would have gotten a very developed argument about how ‘good’ horror picks up new themes over time and therefore stays relevant and how the movie could be read as a pandemic allegory (‘We can’t close the beaches! I have a bar! I want a summer!’) but today I just…don’t have the kind of mental energy to sit down and think that argument through enough to write about it. Maybe later.
Big take away: this is is still one of maybe, maybe five? Horror/thriller films that bother me. There aren’t many, Bruce* is still a horror king in my head.

In non oceanic news, I have been working on my hand sewing. I am capable of making garments, they don’t fall apart in the wash. I can’t sew a straight line yet (even with drawing a guideline though I think that’s partly how I decided to draw the last set, I have actual tailor’s chalk coming today) and apparently I don’t do my back stitch ‘right’? But again- stuff doesn’t implode in the wash.
People are REALLY trying to get me to jump to a machine and there’s definitely projects I want to eventually do where one will be more appropriate. I am NOT placing a zipper by hand thank you. But for basic half aprons and sack/slip skirts I don’t need a machine and as a person who hand spins/hand knits, trust me, a week on a project in small chunks isn’t the massive time investment people keep telling me it is.
The aprons are the project people are getting really interested in, and I’ve been asked for the basic recipe (I don’t use a pattern per se I have a series of ratio type measurements I use). It’s a lot of words for a project that amounts to ‘sew rectangles, sew those rectangles together’
Note on seam allowances:
I rarely follow a set level of seam allowances for these, cutting a block as wide as below will give lots of room for whatever you prefer. If you’re going to French the seams the first seam should have a very, very low seam allowance with the rest of the allowance worked into the second seam. For example if you wanted to use a 3/4 inch seam allowance the first seam should be no more than 1/4 inch and the other 1/2 inch will be the second seam. I would use at least a 3/8 inch seam allowance on any seam you’re not Frenching.
For the body block–
If you’re feeling partly impatient, or have access to one that you like, a pillow case works fine for a body block. Otherwise, I use
waist measurement x .25, subtract that from your waist measurement, add 1
So, using a random number, for a 40 inch waist:
40 x .25 = 10
40-10=30
30+1=31
(This is also the basic ratio I use for my slip/sack skirts, I don’t like a lot of constriction on my hips and it gives more than enough ease to use a slip under it if the fabric is sheer. I had a broadcloth incident this summer…anyway). This does give you a very wide panel for the body block of the apron but I like that much coverage, you can play with the ratio if you want less coverage- or add more ease/use the full width of your fabric if you’re using average sewing yardage for a cafe style apron.
I add pockets to my aprons-at least a patch pocket. I don’t necessarily ‘measure’ my patch pockets for these, I just use a chunk of my fabric to my whims on that day. I aim for bigger than I think that I would use and kind of just place it? I know that’s vague but I really don’t have a set plan for the patch pockets, each apron I make ends up different in that regard. I do at least two layers of fabric on the patch pockets for strength and stability but that’s probably a personal preference.
In seam pockets have a more defined pattern. I measure my hand against a piece of fabric, drawing around it with at least half an inch of ease around my hand. It should look like the rounded top of a mitten or half a heart. Cut out two of those, then place about five inches down from where your top seam will be. Place right sides together and stitch one half of the pocket to each of the front and back panels, then flip and sew the side seam as normal including the seam for the pocket (once you do it, it makes more sense, basically the pocket becomes an extension of the panel fabric and is treated that way).

For straps I cut (or find) fabric that runs the width of the fabric. Nothing bothers me more than too short apron strings so I aim for way longer than I think I need. This is very much up to the individual, and you can play until you find your preferred length. I use strips at least 5 inches wide, but I wouldn’t go much wider than 9 inches or they get harder to tie. I have found placing them in at least two inches from the outer seam edge of the panel and then stitching in a block around the edge of the string gives me a stable enough patch without tearing out the edges when I tie. I do tie fairly tight.
I do French seams for the pockets and seams that I haven’t placed a pocket onto including the patch pockets. You can skip this step, I just feel like it stabilizes the fabric slightly more against fraying. I don’t French the strings but I will top stitch them if I worry about the stability of the fabric. It adds a lot more time to the overall project but it avoids having to trim frays later. I will top stitch around the edges of the body panel-this is why if you really wanted to, you could skip the seam finishing inside the panel because you’re stabilizing them that way and the seams are all hidden.
I’m just that determined to make these things last as long as I can without seam failure or needing to mend.
For fabric and thread choices- I like quilters cotton for fabric if I can get it but run wild. It’s not a garment and it won’t be next to the skin necessarily but if you want an actual apron heavy cotton or linen is probably your best choice. If you’re just going for accessary/extra pockets/appearance you can go with a lighter or more fashion style blend. It should probably be easy care though. I prefer quilter’s thread or glaced cotton for my thread choice here, but you have very few high stress seams on a project like this so choose your preferred thread on this one. My preferred/default stitch is back stitch with the exception of the strings on this project, so glaced works best for me.
*If you have never come across this piece of trivia the shark model/puppet is called Bruce.














